DAY 1: Climate change, playwrights and their lonely lives
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As I turn a corner, I come face to face with the building that houses the Schauspielhaus Graz. Characterised by neo-classical elements, the theatre takes up one length of the square. Fluttering yellow banners announce the festival. A quick tour with Karla reveals the main opera-house style space, two other auditoriums, rooms for meetings and workshops and offices. Other names from the email correspondence over the last few months materialise in their physical forms for a quick hello before hurrying back to the pending to-dos. Trolleys with costumes are being rolled through corridors. Lights being positioned. Last few nails being hammered into the sets. The language is alien to my ears but the buzz is all too familiar and I realise it is best to take myself out of their hair.
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